April 17th, 2015
Last Friday at the Royal Room Earshot Jazz presented Mark Helias’ Open Loose. The group has five records under its belt, and a stage chemistry that has stunned the New York jazz scene. Tenor saxophonist Tony Malaby and drummer Tom Rainey join bassist Helias in masterful explorations of “open loose” improvisation. The trio’s remarkable synergy is a combination of their individual dedication to the art of listening.
April 17th, 2015
April 17th, 2013
The Royal Room Collective Music Ensemble playing Monday night at the Royal Room.
The RRCME is a 15-20 piece band featuring Seattle’s finest and most innovative improvisers under the direction of composer Wayne Horvitz and performed his compositions in a loosely constructed format using a combination of on-the-spot (re)arranging and various other techniques, some of which have come to be known as “conduction”. Regular members include Beth Fleenor, Chad McCullough, Al Keith, Sam Boshnack, Ryan Burns, Geoff Harper, Greg Sinibaldi, Jacob Zimmerman, Craig Flory, Eric Eagle, Kate Olson, Naomi Siegel, Jacob Herring and Wayne Horvitz.
For moe on this amazing group of people look for the upcoming May issue of Earshot Jazz Magazine.
October 24th, 2012
The 2012 Earshot Jazz festival continues. Click on the schedule here 2012 Earshot Jazz Festival
Wow. Last night at The Royal Room was a blast. B’shnorkestra is trumpeter Samantha Boshnack’s 14-piece ensemble of strings, horns and drums. Now a one-year-old amalgam of regional performers, the group is Joshua Kohl conducting Boshnack and violinists Alex Guy and Alina To, violist Brianna Atwell, cellists Daniel Mullikin and Maria Scherer Wilson, bassists Tim Carey and Isaac Castillo, woodwind players Chris Credit and Tobi Stone, French horn player Greg Campbell and percussionists Lalo Bello and Adam Kozie.
Boshnack attended Bard College, where she studied jazz performance and composition. A move from New York to Seattle in 2003 prompted lasting music collaborations. Of this project, the composer writes, “New musical connections and friendships have been forged. It felt wonderful to be the catalyst of that and have such accomplished musicians playing my music, really getting into it, and working together so well.”
Boshnack garnered financial support for this large project from multiple granting organizations and raised funds through Kickstarter to record eight compositions at Bear Creek Studio. That recording will be released in 2013, and this festival performance includes music from the recording, plus the premier of a new work.