Brian Heaney has a new group, Ask The Ages, that he wanted me to photograph so we made a series of informal individual and group portraits outside his house where the jazz group were rehearsing the other day for an upcoming concert on  Thursday, July 15, 2010 7:00pm – 8:30pm, at Egan’s Ballard Jam House, 1707 Northwest Market Street Seattle, WA 98107 Pioctured above left to right are:

John Seman, bass, Greg Campbell, drums, Brian Heaney, guitar and Matt Reid, trumpet.

Portrait Photography by Seattle photographer Daniel Sheehan creating portraits for publications and a Seattle Wedding Photographer with an artistic photojournalist style.

Here are some more pictures from last night’s performance of the Thomas Marriott CD RELEASE: “East-West Trumpet Summit”.

Matt Jorgensen

Phil Sparks on bass

Vern Sielert

Bill Anschell

Matt Jorgensen

Thomas Marriott

Jazz Photography by Seattle photographer Daniel Sheehan, who photographs jazz performances, and creates portrait photography for publications and Seattle Wedding Photography with an artistic photojournalist style.

Thomas Marriott celebrated the release of his new CD, “East-West Trumpet Summit“, which is currently #1 on the JazzWeek National Airplay Chart and was recently featured on NPR’s Morning Edition. The “East” portion of the Trumpet Summit is usually Ray Vega, but because of family commitments Vega wasn’t able to make this performance. In his absence, Vern Sielert (still “East” of Seattle as Sielert is now teaching in Idaho), joined the band which also featured Bill Anschell on piano, Phil Sparks on bass and Matt Jorgensen on drums. A great sound on a summer evening. Strange to see jazz in a club with daylight pouring in the window. More pictures to come soon.

Jazz Photography by Seattle photographer Daniel Sheehan, who photographs jazz performances, and creates portrait photography for publications and Seattle Wedding Photography with an artistic photojournalist style.

John Hanson playing at Grand Cru Wine Bar at TEN20 last Saturday as part of the Bellevue Jazz Festival. Below is another Bellevue Jazz Festival shot of Thomas Marriott playing at Cypress Lounge and Wine Bar at The Westin Bellevue.

Jazz Photography by Seattle photographer Daniel Sheehan, who photographs jazz performances, and creates portrait photography for publications and Seattle Wedding Photographywith an artistic photojournalist style.

Jeff Johnson and Bill Anschell playing at Grand Cru Wine Bar at TEN20 last Friday as part of the Bellevue Jazz Festival. I will be adding some photos over the next week that I did not have time for over the weekend. These two guys sounded great together.

Jazz Photography by Seattle photographer Daniel Sheehan, who photographs jazz performances, and creates portrait photography for publications and Seattle Wedding Photographywith an artistic photojournalist style.

Bill Charlap and Renee Rosnes were wonderful. This was my first time to photograph a piano jazz duo, and it was delightful.
“Husband and wife, Bill Charlap & Renee Rosnes, team up for select performances of impassioned, eclectic, and extraordinary piano duets.
Renee Rosnes is one of the premier jazz pianists and composers of her generation. Having toured and recorded with many of the world’s greatest musicians, her resume reads like a who’s who of jazz. As a leader, Ms. Rosnes has released a series of nine inspired recordings on the Blue Note label, which have collectively garnered four Juno awards, the Canadian equivalent of a GRAMMY. She is also a founding member of the all-star band, the SFJAZZ Collective.
For more than a decade, pianist Bill Charlap has been forging a solo career characterized by swing, eloquence and a romantic musical sensibility. Twice GRAMMY nominated, he has released five superb albums for Blue Note records – CDs celebrating the American Songbook tradition, with songs of Hoagy Carmichael, Leonard Bernstein, and George Gershwin and others – that have afforded him an increased visibility as one of jazz’s foremost pianists.”

This was the final performance of the 4 day Bellevue Jazz Festival. I have photographed a lot more of the concerts and will post photographs from them over the next week or two.

I really enjoyed so many of these performances and was happy to have been photographing this festival and happy with many of the pictures I was able to make thanks to the Bellevue Jazz Festival. Hope you enjoyed the festival.

Jazz Photography by Seattle photographer Daniel Sheehan, who photographs jazz performances, and creates portrait photography for publications and Seattle Wedding Photographywith an artistic photojournalist style.

Sachal Vasandani and his quartet were in prime form Sunday on the final day of the Bellevue Jazz Festival. It has been a while since I last saw him in Seattle at an Earshot event where he was good and he sounded even better today. According to the official program “Sachal Vasandani is a fresh, young vocal talent who displays a singular, deep-brewed voice and possesses an uncanny sensibility to straddle the fine line between jazz and pop with songs that teem with emotion and intellect.”

Sunday June 6th is the final day of the Festival. For more information go to the Festival website: Bellevue Jazz Festival

Jazz Photography by Seattle photographer Daniel Sheehan, who photographs jazz performances, and creates portrait photography for publications and Seattle Wedding Photography with an artistic photojournalist style.

Terence Blanchard put in a wonderful set Saturday night backed by a group of young and up and coming artists.

Sunday June 6th is the final day of the Festival. For tickets and more information go to the Festival website; Bellevue Jazz Festival

A world renowned trumpeter, composer, band leader and Blue Note recording artist, Terence Blanchard is the most prolific jazz musician to ever compose for motion pictures. Blanchard was born and raised in New Orleans where he studied with the Marsalis brothers at the famed New Orleans Center for the Creative Arts in 1980. Blanchard originally began performing on Spike Lee’s soundtracks, including “Mo Better Blues” in which he ghosted the trumpet for Denzel Washington.

Blanchard has established himself as one of the most influential jazz musicians and film score masters of his generation, a member of a jazz legacy that has shaped the contours of modern jazz today. With more than 29 albums to his credit, as a musician Blanchard is a multi-GRAMMY Award winner and nominee, winning in 2008 for his instrumental solo for “Be-Bop” on Live At The 2007 Monterey Jazz Festival. In addition to receiving the award, Blanchard performed live on the telecast along with other New Orleans artists including Lil’ Wayne, Allen Toussaint and the Dirty Dozen Brass Band, who were all joined on-stage by singer Robin Thicke. Also in 2008, Blanchard won a GRAMMY for his CD, A Tale of God’s Will (A Requiem for Katrina), a beautifully haunting and impassioned song cycle about Hurricane Katrina and the ravages incurred upon the City of New Orleans and its residents.

As a film composer, Blanchard has more than 50 scores to his credit and received a Golden Globe nomination for Spike Lee’s “25th Hour.” In 2008 he completed the score for Lee’s “Miracle at St. Anna,” as well as the soundtrack for Darnell Martin’s “Cadillac Records.” Other film music written by Blanchard includes Kasi Lemmons’ “Eve’s Bayou” and “Talk to Me,” Oprah Winfrey’s “Their Eyes Were Watching God,” Tim Story’s “Barbershop” and Ron Shelton’s “Dark Blue.” He is currently working on the score for George Lucas’ “Red Tails” and has already completed musical contributions for the score on Disney’s “The Princess and the Frog,” set for release this fall.

As Artistic Director of the Thelonious Monk Institute of Jazz, which he was instrumental in relocating from Los Angeles to New Orleans, Blanchard works with students in the areas of artistic development, arranging, composition and concert programming. He also participates in master classes around the world as well as local community outreach activities in his beloved hometown of New Orleans.

Jazz Photography by Seattle photographer Daniel Sheehan, who photographs jazz performances, and creates portrait photography for publications and Seattle Wedding Photographywith an artistic photojournalist style.

For tickets and more information go to the Festival website; Bellevue Jazz Festival.

Pat Martino has been recognized as one of the most exciting and virtuosic guitarists in jazz. With a distinctive, fat sound and gut-wrenching performances, he represents the best not just in jazz, but in music. One of the most original of the jazz-based guitarists to emerge in the 1960s, Pat Martino made a remarkable comeback after brain surgery in 1980 to correct an aneurysm which caused him to lose his memory and completely forget how to play. It took years, but he regained his ability, partly by listening to his older records.

Martino began playing professionally when he was 15. He worked early on with groups led by Willis Jackson, Red Holloway, and a series of organists, including Don Patterson, Jimmy Smith, Jack McDuff, Richard “Groove” Holmes, and Jimmy McGriff. After playing with John Handy (1966), he started leading his own bands and heading sessions for Prestige, Muse, and Warner Bros. that found him welcoming the influences of avant-garde jazz, rock, pop, and world music into his advanced hard bop style.

After the operation, Martino did not resume playing until 1984, making his recording comeback with 1987′s The Return. Although not as active as earlier, Pat Martino has regained his earlier form, recording again for Muse and Evidence; he later signed with Blue Note, issuing All Sides Now in 1996, followed two years later by Stone Blue and in 1998 by Fire Dance. In 2001 Martino released a live album recorded at Yoshi’s in California. Two years later he teamed with saxophonist Joe Lovano for Think Tank.