October 31st, 2011
Hardcoretet at Tula’s
For a great treat, I got to hear a tight group last Thursday night at Tula’s. Earshot Jazz Festival 2011 presented the energetic Seattle quartet Hardcoretet who performed originals drawn from jazz, rock, soul, and improvised music, inspired by fusion supergroups as well as modern jazz outfits like Chris Potter’s Underground and Kneebody. It featured Art Brown (alto sax), Aaron Otheim (keys), Tim Carey (bass), and Tarik Abouzied (drums).
Check out the Earshot Jazz Festival Schedule to see what’s next in the last week of the 2011 Festival lineup.
With Art Brown on saxophone, Aaron Otheim on keys, Tim Carey on bass, and Tarik Abouzied on drums, Hardcoretet presents original material written by each of its members. Brown, Otheim, Carey and Abouzied have all worked on a variety of projects over the years, encompassing a broad range of genres and sounds. From the free jazz sounds of Speak to the funky rhythms of Pocket Change, each group including members of Hardcoretet has proved to be prolific in the Seattle Jazz scene. Hardcoetet members have performed both nationally and globally, and the band has shared the stage with heavy hitters such as Bill Frisell, Cuong Vu, Mike Stern, John Medeski, Bobby Previte, and Charlie Hunter.
Hardcoretet’s second album, Do It Live, to be released at Tula’s during this year’s festival, further propels Hardcoretet on their way to becoming one of Seattle’s most exciting and unique mixed-genre bands. Their debut album, Experiments in Vibe, released in 2009, started the group on that path with a nomination for Mixed Genre Album of the Year at Seattle’s Lucid I/O Awards.
Influenced by artists from Miles Davis and John Coltrane to Soundgarden and Led Zeppelin, Hardcoretet’s sound is an amalgam of the best aspects of many genres. Combining elements of jazz, rock, soul and improvised music, Hardcoretet’s sound is similar to that of fusion groups like Herbie Hancock’s Headhunters and Chick Corea’s Return to Forever. Simultaneously, their modern vibe has been likened to the works of Chris Potter’s Underground and Kneebody. Hardcoretet’s compositions, combined with their vibrant energy, make for a show not to be missed. – Abi Swanson, from the Earshot Jazz Festival schedule program