Another really wonderful performance by Thomas Marriott at the Chapel Performance Space on the next to last night of the 2010 Earshot Jazz Festival. What an amazing group of musicians he assembled to play his music from his 6th CD on Origin Records for which this was the release party.
As Thomas says about this CD “After many successful recording endeavors, this is my first album of all-original music and I am happy to say it is my favorite so far. This album represents my own beliefs and thoughts on music and I am happy to be joined by some of my favorite musicians.”
Of all the instruments associated with the “Third Stream,” the trumpet always seemed too blaring, with too many immediate blasts and incongruously declarative tendencies. In the era when post-bop melded with the post-classical, the blurring of genres seemed to need instruments that could be blurry overall. Think of Jimmy Giuffre’s clarinet, Gunther Schuller’s French horn, the way a cello can elide what a brass instrument blurts out.
Marc Seales transcendent and incandescent on piano.
Continue reading at: EarshotJazz Festival
Click here for the complete schedule for the rest of the upcoming shows at the 2010 Earshot Jazz Festival