October 26th, 2012
The headline act of Earshot Jazz Festival presentation last night at Poncho Concert Hall was the sensational New York trio of Tamarindo, with Tony Malaby (tenor), the great William Parker (bass) and Mark Ferber (drums).
Strictly original – no covers or American songbook standards: “Twisting triumvirate coursing to the finish line,” bassist Mark Helias writes poetically in the liner notes of Tamarindo, the trio’s self-titled debut on Clean Feed, 2007. Five years later, Tucson-born tenor and soprano saxophonist Tony Malaby brings the project here.
Malaby is a frequent flyer to Earshot events, appearing on stages here since the late 1990s. He’s been a member of many notable jazz groups, including Charlie Haden’s Liberation Orchestra, Paul Motian’s Electric Bebop Band, Fred Hersch’s Walt Whitman project. Malaby also has led several projects of his own, including his Apparitions projects with Drew Gress and Tom Rainey, Michael Sarin and John Hollenbeck.
Bronx-native bassist William Parker anchors the harmony for Tamarindo. Parker studied with bassists Richard Davis, Art Davis, Milt Hinton, Wilbur Ware and Jimmy Garrison. A legendary and powerful collaborator in the U.S. and European avant-garde, Parker’s work includes a decade-long stint with pianist Cecil Taylor, collaborations with drummers Hamid Drake, Milford Graves and Rashied Ali, and work on New York’s Vision Festival. He has taught at Bennington College, NYU, the New England Conservatory of Music, Cal Arts, New School University and Rotterdam Conservatory of Music. Parker is also a composer, playwright and poet.
The original incarnation of Tamarindo included drummer Nasheet Waits. This time around, Mark Ferber occupies the drum throne. Ferber studied with Billy Higgins and Joe LaBarbara. Now living in Brooklyn, Ferber is an auxiliary faculty member at City College of New York.