Thursday night was the the third of three events marking Wayne Horvitz’s 60th birthday and his considerable contributions to Seattle jazz culture.

In a fascinating triple bill, the renowned keyboardist/composer plays in three settings: solo piano with electronics; his Snowghost trio, where Eric Eagle, a drummer adept in many genres, and Geoff Harper, who is among the region’s most cherished bassists, complement Horvitz’s processed piano and synthesizer with results he says have surprised even him; and a new Seattle sextet in which he, Eagle, and Harper appear with three expansive innovators: trumpeter Ray Larsenand saxophonists Ivan Arteaga and Greg Sinibaldi.

Horvitz says Snowghost, and then its sextet extension, stem from a recording trip he, Eagle, and Harper made to Whitefish, Montana, last year. Months later, while listening to the tape, he realized it ended with a recording of a live gig they had done after the studio session, a sort of house concert. “And it was pretty bad-ass,” says Horvitz. “Piano trio but the piano is processed and amplified and I also play synthesizer. Sounded beautiful. I was frankly sort of taken aback.”








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